I’ll bet you thought there could be a yes or no answer to this question. Reality is much more complicated and ever changing.
It’s possible, but rare, for a creative writer to be so talented that, even though his or her first book is a collection of short stories, an agent would find it logical and worthwhile to begin working with the person in anticipation of future, more commercially viable, creative output. By “commercially viable,” I mean desired by big trade book publishers. In almost six years of agenting, I’ve encountered only one such writer, and I asked the person to get back in touch with me when a novel-in-progress is completed. However, there are quite a few literary agents in the U.S. who happily take bigger risks than I do. Every agency is different, as a look at each of our websites will reveal.
Almost every time I receive a query from a short-story writer looking for an agent, the letter I’ve copied and pasted below is the basic form of my response. Of course, my form reply doesn’t cover everything I’m looking for in a client, which is what the guidelines on my website are intended to convey to writers.
My form response is designed to encourage novice writers of short stories to begin learning about the business aspects of a professional writer’s career. Some eventually will decide that they don’t want their writing to be more than a hobby, because turning it into work isn’t pleasurable for them. There’s absolutely nothing wrong with that, except when hobbyists are unfortunately misguided into believing they’re entitled to demand that literary agents invest time and money to assist them as a courtesy, pro bono. Most writers are smart enough to catch on to business realities very quickly. There are many terrific publishing options for hobbyists.
My agency’s form reply to queries from short-story writers
For writers who have succeeded at having short stories published individually, a few agencies actively call for submissions of book-length collections of short stories. As of October 2014, two of them are the Renée Zuckerbot Literary Agency and the Waverly Place Literary Agency. An agent’s submission guidelines are subject to change at any time, so please alert me if I fail to notice when the current information about these agencies becomes obsolete. If I see it’s no longer true, I’ll cross it out.
It’s nice of you to contact me about representation. Please note that detailed query guidelines are posted on my website.
For an author of short fiction, accumulated writing credits are an important part of a query. Major book publishers in the U.S. typically prefer to acquire book-length collections of short stories only if the authors already have had a considerable number of the stories published in reputable literary magazines or anthologies. If you’re not sure which literary journals are the most prestigious, then you can find out where some prizewinning short stories first appeared by taking a look at these books, which should be available at your local library:
More of these types of anthologies are listed at:
You can learn about submitting your work to literary journals and magazines by reading:
I wish you the best of luck with your writing career.
There is hope that ebook publishing will permit a short-story renaissance. In all honesty, it’s more likely that the ease of self-publishing ebooks and POD books, coupled with the increased numbers of free online literary journals, will make many more short stories available to readers at little or no cost, and then the supply will outpace the demand from readers. At the same time, it’s interesting to note that more online literary journals are paying their contributors a modest amount, perhaps to attract better stories to publish, because they have lots of competition for submissions these days.
Dynamic, isn’t it?
Please feel free to share in the comments section the links to or names of any literary agents asking to see short-story collections. I hope this information is helpful.