Archive for the ‘reading’ Category

Part 2 of 3: Trends in traditional book publishing

Sun, 19 May 2013

“What changes do you see coming in traditional publishing business models and contracts?”

Here’s Part 2 of the answer I gave to the Sisters in Crime of Upstate SC writers’ group earlier this month.

Trend:

There are increasing numbers of ebook-first imprints, designed to reduce publishers’ up-front investment in new, unproven novelists. Get used to this concept, because minimizing risk is a prudent business strategy.

Trend:

Quite a few new imprints dedicated to crime fiction, including crime novels in translation, have been launched over the past few years, as a result of the success of Stieg Larsson’s Millennium trilogy.

Have you noticed that dark, horrifying, and brutal seem to be selling well these days? Vendettas appeal to readers, who might be growing accustomed to unconventional protagonists who are more renegade than heroic.

~~~

Go to Part 1 of 3: Trends in traditional book publishing

Go to Part 3 of 3: Trends in traditional book publishing

European Literature Night 2013: Miha Mazzini among authors to appear at the British Library

Thu, 9 May 2013

European Literature Night 15 May 2013
On Wednesday, May 15, 2013, BBC arts journalist Rosie Goldsmith will host European Literature Night at the British Library Conference Centre, located at 96 Euston Road in London.

Two esteemed publishers who also happen to be gifted writers, Meike Ziervogel of Peirene Press and Charles Boyle of CB editions, will be present with two of their authors, Birgit Vanderbeke and Miha Mazzini. Accompanied by half a dozen additional award-winning authors from across Europe, the audience will embark on a literary journey spanning the region, from Spain to the Netherlands to Turkey, with entertaining stops along the way.

Page 2 of European Literature Night 13 May 2013
Rosie Goldsmith invites the public to “enjoy an evening of readings where the personal and the political sit side by side, shift places and remind us all of the joy and pain of being alive.”

Page 1 European Literature Night 15 May 2013
Tickets for European Literature Night 2013 can be reserved through the online box office.

Sponsors include European Union National Institutes for Culture – London, the European Commission Representation in the UK, and the Czech Centre London. European Literature Night is produced by Speaking Volumes Live Literature Productions with the participation of Foyles bookstore.

Download program brochure (PDF)

Mashup your own anthologies

Mon, 15 Apr 2013

Are we using the word mashup anymore? It slid off my screen some time ago.

Back when mashups were still page one—which is to say about five years ago, when I was trying to foresee the digital transformation of trade book, textbook, and scholarly publishing—the idea of an anthology mashup made sense. What was needed at that time was an online interface designed to allow any user to pull together licensed content from various sources for a one-of-a-kind anthology compiled and printed on demand. The concept was logical from the user’s standpoint. Now that ebooks are sufficiently popular, the execution should be even simpler.

Because I just read the news of yet another such publishing endeavor outside the textbook sector, it’s due time for a list here on the blog.

What should I call these anthology mashup publishers?

  • AnthologyBuilder
    First to grab the perfect trade name and catch my eye was this publisher in Rantrum, Germany, offering custom anthologies in print for $14.95 plus shipping charges.
  • Bindworx
    Set to launch in May 2013, this UK company, a collaboration of Eden Interactive of Chester and Trust Media Distribution of Carlisle, is an ebook-conversion service for publishers offering “whole or fragmented content” to consumers in ebook format.
  • Slicebooks
    This publisher in Denver, CO, allows publishers “to slice and remix ebooks, journals, and magazine content.”
  • BiblioBoard Library & Nuvique
    A platform and an application developed by the Charleston, SC, publisher that goes by the name BiblioLife, this multimedia software launches in 2013 with an eclectic assortment of public domain works.
  • CAT Publishing
    In Palo Cedro, CA, this company publishes short print runs of co-authored textbooks. Its current catalogue is very limited.
  • Bedford/St. Martin’s
    This texbook publisher, which is part of Macmillan, has a permissions editor on call to facilitate the creation of customized anthologies for classroom use. A minimum quantity of books is required for an order, and they’re delivered in four to eight weeks.

This is not a comprehensive list. Let it be said that many publishing companies could, and most big textbook publishers already do, offer user interfaces to make anthology mashups possible, with someone behind the scenes handling rights licensing and customer service. The products are likely to be called custom or customized anthologies or solutions. If you’ve used one, please feel free to leave a link to the company in the comments section.

Obviously, there are logical objections to sales of one-off anthologies and collections. Anthologies often include works from authors who are not well known, and they’re a beautiful, time-honored way to introduce these emerging or overlooked talents to more readers. Furthermore, the editors of anthologies receive extra attention for their efforts, even if none of their own writing is included in the books they chaperone through the publication process. If anyone can become an anthology creator, well…

Nevertheless, the web, like the world, is user oriented. In a sophisticated world of users and makers, the former will tend to outnumber the latter. Makers, perhaps because they’re often more vocal and more visible, and because they’re running the show, tend to forget that the much more numerous users are equally indispensable. The user experience will establish the reputation of the maker, good or bad.

Cheers to the makers who recognize the value of usability!

Three podcasts this blog’s readers will like

Sat, 16 Feb 2013

Not so long ago, I mentioned attending a recording of the podcast Philosophy Talk. Here are three others that I’ve been enjoying just as much as Ken Taylor and John Perry’s show:

  1. Litquake’s Lit Cast, featuring presenters who’ve participated in San Francisco’s literary festival and related events, a podcast that’s also available on iTunes and Stitcher
  2. Book Fight, Barrelhouse editors Mike Ingram and Tom McAllister’s lighthearted discussion of a chosen book plus questions submitted by listeners, also available on iTunes and Stitcher
  3. University of Oxford Podcasts on a range of topics, which can be narrowed to those tagged ‘literature

Care to tell me about a podcast you think I’d like? Please leave a link in the comments section and say a little something about why it’s your favorite.

JSTOR now offers free, limited access for registered individual users

Sat, 12 Jan 2013

JSTORFour years ago, at a conference, I asked a JSTOR representative if the organization could offer an individual a subscription to its database of more than 1,600 academic journals. The sympathetic salesperson told me they were working on a solution. It was one of those sad “Aren’t we all?” moments.

Today, I’m swallowing my cynicism, because JSTOR has just provided free, limited journal access for individuals.

I know. Nerd alert.

I signed up for JSTOR’s Register & Read program, which allows me to view up to three journal articles during a two-week period. After the two weeks have passed, I can view three more articles online. With some publications, it’s possible to purchase PDF downloads of the individual articles.

The JSTOR web interface includes a “Rights and Permissions” feature. If I wanted to, I could click on the “More Rights Options” link to obtain reprint authorization through a rights licensing service such as the Copyright Clearance Center.

I chose a short story in an old issue of Ploughshares. A ribbon on the preview page indicated I could “Read Online Free” if I followed the prompts to make it one of my three shelved selections for the next two weeks. If the Register & Read option wasn’t available for an item, then I could see a one-page preview with the option to purchase a download (in one instance, at a cost of $12) or the notation “Preview or purchase options are not available.” I was able to view some complete poems without either saving or purchasing them. The database would be a bit more user-friendly if all degrees of availability were listed on every item and if an article’s terms of access were checkmarked (or inapplicable terms were grayed out). Nevertheless, JSTOR is easier to use than some of the other periodicals databases available at libraries.

JSTOR was established by the Andrew W. Mellon Foundation in 1995 and, two years later, began providing access to its online library of scholarly journals, through subscriptions paid for by academic and cultural institutions.

Some public libraries offer their cardholders access to JSTOR. My local library doesn’t, but nearby college and university libraries do.

Ithaka merged with JSTOR in 2009. The expanded not-for-profit organization is called Ithaka, and the three services it provides are:

  • JSTOR – an online subscription-based database of scholarly publications, including both periodicals and books
  • Portico – an electronic archiving system for publishers
  • Ithaka S+R – strategic consulting and research concerning academic digitization projects

Reading fiction: rehearsal for life?

Sat, 8 Dec 2012

Ken Taylor and John Perry of Stanford University taped their Philosophy Talk radio program/podcast at Z Space in front of a live audience during Litquake, San Francisco’s annual literary festival. The topic of the evening was “How Fiction Shapes Us.” It was my favorite of all the festival sessions I was able to attend.

Philosophy Talk at Litquake 2012

During the show, Philosophy Talk’s co-hosts presented opposing arguments, as they typically do.

According to Taylor, “Fiction shapes us by giving us practice at living, and if you practice anything, you become better at it. Reading fiction makes us more psychologically astute, more empathetic, more attuned to moral complexity.”

Perry, on the other hand, contended that we enjoy fiction because it’s entertaining—that’s all.

Every individual is confronted with questions of how to relate to others and how to lead a better life. By reading fiction, it’s possible to experience what it might be like to live in another person’s world. “You are what you make of what you read,” said Taylor.

What have studies shown to support either scholar’s perspective?

In psychological research at York University, Keith Oatley and Raymond Mar demonstrated that the more fiction people read, the better they were able to understand other people’s emotions, or theory of mind, in real life. The most challenging, artistic literary fiction also gave the readers they tested slightly modified opinions of their own dispositions. In addition, these researchers found there wasn’t much difference between the brain’s response to something fictional as it was being read and the same situation when it was being experienced.

The guest on Philosophy Talk for the evening of October 10, 2012, at Litquake was Stanford professor of French and Italian and literary theorist Joshua Landy, author of How to Do Things with Fictions. Landy briefly discussed the questions raised by the show’s co-hosts and concluded that fiction can, but doesn’t always, influence a reader’s cognitive skills. Much depends on the quality of the fiction and the reader’s personal initiative in interpreting it. Perhaps the most difficult and brilliant fiction, he explained, does not cause readers to become more moral or compassionate but makes them more of whatever they already are. In Landy’s view, this occurs:

Because it might be that after I’ve practiced making my moral judgments—the judgments I make about certain situations—I’ll become even more of a horrible person, or even more of a selfish person, whatever it is that I was, going in. So there’s no guarantee. I think it serves an extraordinarily valuable service of making us more who we are.

The outcome depends on the capacity of the individual. Although fiction serves as a simulation of real life, without the risks, it also requires the reader’s effort and desire to extract a lesson from it.

The free 50-minute Philosophy Talk podcast also touches on the following questions:

  • Is first-person narration more effective for presenting moral dilemmas?
  • Will the reader always imagine herself as the narrator?
  • Can films evoke our emotional reactions more easily than books?
  • Are some people better than others at reading fiction?

“How Fiction Shapes Us” and Philosophy Talk’s other weekly podcasts can be downloaded from iAmplify and the program also is broadcast.

Journal of the Month, a new slant on literary magazine subscriptions

Tue, 20 Nov 2012

My favorite special offers for literary magazine subscriptions usually involve two subscriptions for the price of one or a free issue with a one-year subscription. Now, Journal of the Month is trying something I haven’t seen before: each issue of the subscription is a surprise selection. The recipient won’t know which literary journal will be delivered until it arrives in the mailbox.

Journal of the Month

At first, I was reluctant to blog about Journal of the Month, because the site made it difficult to know who’s running the business. Turns out it’s Brian Kahn at Slant Software, LLC, of Arlington, Massachusetts. Slant Software also administers Tell It Slant, an online submissions service similar to the currently more widely known Submittable. Maybe Journal of the Month’s ownership will be featured more prominently in the future.

Are you thinking about gift giving as the holidays approach? A digital magazine subscription is ideal, if the recipient’s magazine racks and bookshelves are overflowing, but print editions can be shared with other people more easily. A single issue or a subscription to a literary magazine makes a lovely gift that quietly pays a compliment to the person who receives it.

NewPages opens a literary magazine webstore

Tue, 13 Nov 2012

NewPages is in my RSS feed. It’s a good resource among many for writers who are submitting work to literary magazines. The site just announced the NewPages Magazine Webstore, an online storefront offering single issues of literary magazines. It is beautiful.

Prices for individual magazine issues in the webstore currently range from $4.50 to $18.95, plus tax and shipping. NewPages is shipping only to U.S. and Canadian addresses, but inquiries from customers in other countries are encouraged. I’m not affiliated in any way with NewPages.

If you’re just starting to submit creative writing to literary magazines, you should grab “The Writer’s Guide to Publishing in Literary Magazines and Entering Contests” by Ayelet Tsabari. It’s free. Tsabari’s certainly an example of the writers-are-generous-people meme. Do thank her, and don’t forget to pay it forward.

Another person to thank is John Fox, whose Ranking of Literary Journals links out to additional lists that use different selection criteria.

I’m gradually pruning defunct publications from my Delicious list of more than 4,000 that feature creative writing. By the time I finish updating the links, I’ll need to start over. By the way, I began updating from the far end of the list—the oldest links.


%d bloggers like this: